Do you like to be scared? While it’s nice to have options, sometimes browsing through all the options Netflix has to offer can become quite a chore. But you’re in luck, as we’ve done the work for you and bring you a good list of the best alternatives available. From spooky classics to new cult titles, the following is the selection of the best horror movies on Netflix.
Alice Ackerman (Madeline Brewer) works for FreeGirlsLive as a camera model, a job she is quite attached to. Alice hides her job from her mother and is obsessed with being one of the best actresses on the site. After a date with one of her loyal followers, Alice tries to log into her FreeGirls account, only to discover that her account is being used by a deranged doppelganger. As Alice tries to unravel the mystery surrounding her new enemy, her own life and celebrity begin to crumble around her. Director Daniel Goldhaber’s electric-erotic horror show is a macabre exploration of identity, and exactly how much power we empower ourselves in digital spaces.
House of 1000 Corpses (2003)
Rob Zombie’s directorial debut is a bloody, bizarre ride into the kind of hellish landscapes only Zombie could conceive of. After visiting Captain Spaulding’s Museum of Monsters and Madmen, a group of four strange roadside travelers find more than they bargained for when they meet the evil Firefly family, a gang of homicidal maniacs with theatrical leanings. As Halloween Eve progresses, the four friends fall victim to the malicious exploits of the Fireflies, with each fate scarier than the last. Sid Haig (RIP) shines as the infamous Captain Spaulding, the joking clown of the woods who may or may not have ties to the evil Firefly group.
In the Tall Grass (2019)
Stephen King fans are sure to be delighted with the 2019 adaptation of his 2012 novel by Stephen and his son Joe Hill. When brothers Becky and Cal (Layla De Oliveira and Avery Whitted) make a stop on their road trip to their aunt’s house, the couple overhears a boy named Tobin calling for help in a field of tall grass. The pair dive into cultivation, but soon find themselves at the centre of an evil plot involving Tobin, his parents, a gloomy time cycle, and an ancient stone with potentially mystical properties, all within the endless rows of grass. In the Tall Grass looks like a long (and much more powerful) episode of Twilight Zone. While some have argued that the film is more than welcome, King’s dogmatic followers may not be convinced by director Vincenzo Natali’s adaptation.
Though it can be a slow build, The Invitation is simultaneously one of the creepiest and most realistic horror movies available on Netflix. The story tracks Will (Logan Marshall-Green), who accepts an invitation from his ex-wife for a dinner. Surrounded by friends he hadn’t seen in a long time and heartwarming fun, Will can’t seem to shake the feeling that something is wrong. Whether it’s your ex-wife’s strange new friends or the dark memories haunting your old relationship, something is wrong. Will must find some way to deal with the paranoia or accept the truths. Is it all in your imagination or is there something much more threatening? In the end, The Invitation It will cause viewers to reconsider any spontaneous invitations and plans they may have for the foreseeable future.
The Killing of a Sacred Deer (2017)
The illustrious cardiac surgeon Steven Murphy (Colin Farrell) has it all: a perfect family, a mansion, a luxury car, bourgeois friends, and an unpredictable, mentally unbalanced teenage protégé. Martin (Barry Keoghan), this troubled young man, is the son of a man who died under Dr. Murphy’s scalpel. We’re not sure exactly how Steven and Martin’s relationship started, but after a series of increasingly bizarre gestures from Martin, Steven tells him that they should start seeing each other less. The next day, Steven’s son appears paralyzed. After taking him to the hospital, Martin tells Steven that he is responsible for his son’s condition, and that if Steven does not kill a member of his own family, ailments will befall the rest of his clan.
From the dark mind of writer / director Yorgos Lanthimos ( The Lobster, Dogtooth ), The Killing of a Sacred Deer is a slow, hypnotic descent into a never-ending hell of bizarre tragedy, with fine performances by Farrell, Keoghan, and Nicole Kidman. The “sacred deer” does not keep secrets from us either. We know who is causing the evil. We even know why. But the excitement and fear come from seeing Martin’s plan come true.
Here’s a good case of crazy science that went really, really bad. In Vincenzo Natali’s Splice, Adrian Brody and Sarah Polley are Clive and Elsa, two genetic engineers working for NERD (Nucleic Exchange Research and Development). Their day-to-day involves splicing animal DNA to create crypto is for scientific analysis and protein harvesting … at least until the two geniuses they have the idea – nothing great – to go after their bosses and create an animal-human hybrid. The experiment (Delphine Chanéac), who is nicknamed Dren, begins to age at an extraordinary rate while exhibiting special abilities, such as the ability to breathe underwater. Worried about his scientific secret, Clive and Elsa move Dren to an isolated farm, which is where the film takes a more sinister turn. Natali’s second characteristic is the nightmare come true of a science fiction lover. Both Brody and Polley are phenomenal as the duo of mad doctors with moral crisis, and Dren’s makeup effects are as impressive as they are creepy.
Shutter , from 2004, is a classic title in Thai horror. It is a ghost story that has a plot about karmic retribution. The film opens with Jane (Natthaweeranuch Thongmee) and her boyfriend, a photographer named Tun (Ananda Everingham), enjoying a night out with friends. On the way home, the night takes a turn when they hit a woman crossing a road in the dark. They walk away without looking at her and Tun begins to notice strange distortions in the photos he takes, while Jane has gruesome visions.
The Green Room
If John Carpenter’s Assault on Precinct 13 and Tony Kaye’s American History X had a child, it would probably be Green Room, Jeremy Saulnier’s violent thriller. The feisty punk band The Ain’t Rights (Anton Yelchin, Alia Shawkat, Joe Cole and Callum Turner) are looking for a change, but they have little energy and the shows are less and less distant. When Portland-based DJ Tad rips off the band with another low-cost gig at a Mexican restaurant, the punks aren’t overjoyed. To make up for the botched show, Tad gets another one through his cousin, Daniel. The problem? The place is a neo-Nazi compound. The gang accepts and drives to the outskirts of Portland, where the fortress is. After deliberately antagonizing skinheads with an anti-Nazi song, the gang prepares to leave, but not before Yelchin’s character witnesses the death of a young girl surrounded by Nazis, in the middle of the green room. What follows is one of the most violent horror siege hybrids of the last decade. ¿M; Did we mention that the leader of skinhead is none other than Patrick Stewart?
I Am the Pretty Thing That Lives in the House (2016)
I Am the Pretty Thing That Lives in the House , from writer-director Osgood Perkins, is a chilling ghost story about a resident nurse named Lily (Ruth Wilson) who is hired to care for a sick horror author, Iris (Paula Prentiss). ). Lily, who resides in Iris’s historic mansion in New England, begins to experience paranormal events, leading her to question the older Iris about the house’s history. Denying any kind of phenomenon, Lily begins to investigate the house herself, leading to a series of shocking discoveries and grim truths about the mansion’s past. This is a fantastic piece of horror film that really achieves that “less is more” of cinema. I Am the Pretty Thing …relies on haunting sound design, persistent camera work, and an ability to sell your scares effectively.
The Evil Dead (1981)
If you ever come across a Sumerian book of the dead in a cabin in the middle of nowhere, don’t read it out loud. The victims of Sam Raimi’s bloody cult classic, The Evil Dead, they would have done well to follow this advice. When five Michigan state students take a trip to the remote forests of Tennessee, the terror begins when the group discovers the aforementioned book and a tape full of demonic incantations. The boys put on the tape, demonic phrases are spoken and… all hell breaks loose. Raimi’s movie was shot for $ 400,000, a pittance considering the multi-million dollar budgets of most mainstream Hollywood movies. Getting inventive with their small budget, the team created their own Steadicam rigs (a 2 × 4 with a camera attached to it) and got messy with prosthetic effects as well as other cost-cutting measures to complete the film. Their efforts were certainly not in vain, as The Evil DeadIt has a place in the imaginary Hall of Fame of the great American horror cinema, and is often hailed as one of the best horror films ever created. It’s amazing what you can do on a budget.
Based on the 1992 Stephen King thriller of the same name, Gerald’s Game was one of the first original productions with which Netflix was successful. It is a profound and provocative story of a married couple, Jessie (Carla Gugino) and Gerald (Bruce Greenwood), who take a weekend vacation at their lakeside cabin in hopes of rekindling their stagnant relationship. They decide to spice it up with some sadomasochism, but Gerald suffers a heart attack in the midst of passion, leaving Jessie handcuffed to the bed without anyone being able to free her. Bound and plagued by hallucinations of Gerald and people from the past, Jessie struggles to break free and suffers a psychological breakdown. Another excellent result from director Mike Flanagan of Hush fame andOculus.
Maddie Young (Kate Siegel) is a deaf writer who prefers to live in the woods to be inspired by her works, without the many distractions of the city. However, that isolation turns into a great danger, when a masked man (John Gallagher Jr.) shows up, kills his neighbor and then looks at Maddie.
Alone with the killer and with nowhere to turn, Maddie must use her wits to survive. Director Mike Flanagan has established himself as a horror director willing to experiment with the limits of horror, with movies like Oculus and the Netflix series The Haunting of Hill House , but Hush is a masterclass in the basics, a movie with a script adjusted.
Ciarán Foy, who brought us Citadel and Sinister II , directs Eli,a slow-burning vine on a teenager with a strange ailment that makes him sick when exposed outdoors without protection. When his parents (Kelly Reilly and Max Martini) decide to take him to a remote medical facility, a converted mansion run by the pleasant Dr. Isabella Horn (Lili Taylor), everything seems to be fine for some time. The boy, Eli (Charlie Shotwell), is happy to ditch his heavy protective gear, reveling in his newfound freedom. However, outside of his shield of disease, supernatural events begin to pile up, and Eli desperately tries to convince those around him that things inside the house are pretty bad. The performances and atmosphere are top-notch in this Netflix original.
Under the shadow
The film Under the Shadow made a great comparison to The Babadook and it’s easy to see why: Both films follow mothers who care for troubled children while supernatural forces torment them.
Under the Shadow , in particular, is set during the war between Iran and Iraq in the eighties. Shideh (Narges Rashidi), a former medical student who had to abandon her career after the theocratic government took power in the Iranian revolution, became a homemaker, living with her husband Iraj (Bobby Naderi) and their daughter Dorsa (Avin Manshadi) in an apartment in Tehran.
When Iraj, who is a medic, is sent to the field as part of the war effort, Shideh must take care of Doras alone. To make matters worse, after a missile hits her building, Dorsa begins to behave strangely, convinced that a spirit is prowling the building, and as strange events unfold, Shideh must face the possibility of something supernatural. is happening.
From director Tobe Hooper ( The Texas Chain Saw Massacre ), with a script and story by Steven Spielberg, Poltergeist tells the story of the Freeling family, made up of Steve and Diane (Craig T. Nelson and JoBeth Williams), and their three children, Dana, Robbie and the youngest, Carol Anne. When a band of spirits descends on the family’s idyllic home, the invading demons begin with a series of chilling annoyances, like rearranged furniture and folded silverware. However, it isn’t long before these minor transgressions give way to outright paranormal abduction, when one night, lower beings drag Carol Anne into the ghost world. Poltergeist, a great critical and commercial success for MGM, has taken root in our collective unconscious. Even if you’ve never seen the movie, you’re probably familiar with certain images of it, like the creepy clown doll pulling Robbie under the bed, or the famous photo of Carol Anne with her hands in the static of a television. Poltergeist is nearly forty years old now, but it’s a horror classic that continues to stand the test of time.
The horror footage found may be a dying art form, but one of the few iterations on the genre is a Netflix must-see. Starring Mark Duplass as Josef and the film’s director Patrick Brice as his cameraman Aaron Franklin, Creep is a rare kind of horror filmography. Like The Invitation , Creep takes a while to take flight, but once it does, you enjoy it. The film keeps viewers guessing from start to finish, and it’s only here that the true story comes to life in its most provocative and haunting dimension.
It is possible that the French horror thriller Fury ( Get In) doesn’t feature any known Hollywood stars, but its chilling tale recreated from a Japanese tale is a must-see for all horror junkies. After arriving home from a family vacation, the Diallos run into a misplaced group of residents whose lifestyle strays too far from haunting. With an invisible clause written into their lease – which basically prohibits the police from helping them – the family must learn to live with the new guests in their home no matter how challenging their new shared lives may be. Fury portrays an experience that is too real and horrible: losing not only your home, but also your privacy and freedom.
The Pan’s Labyrinth
Despite not being explicitly horror, this modern classic by Guillermo del Toro manages to put fear in your body with relative ease. The story follows a young Ofelia (Ivana Baquero) in the process of moving with her pregnant mother to a large mansion in the countryside, which serves as Captain Vidal’s (Sergi López) base of operations in the middle of the Spanish Civil War. The story uses real-world concepts – such as the fascist ideology of the Falange – to evoke the growing terror of its underlying narrative. In the process of unveiling Princess Moanna’s rebirth, Ofelia also challenges the tropes of belief and the mystical. Lost in the labyrinth of everyday life, Ofelia must face her destiny as the Underworld closes in to catch her.
It Comes at Night (2017)
It Comes at Night , an unexpected hit that was projected to earn between $ 7 million and $ 12 million, caught viewers in intense fear, grossing more than $ 19 million globally at the box office. He garnered immediate praise for his script writing and directing from Trey Edward Shults, along with the riveting performance of Joel Edgerton and Kelvin Harrison Jr., whose role in the film earned him a Newcomer Actor nomination at the 2017 Gotham Independent Film Awards. . It Comes at NightIt’s not your average horror movie, but escapes mindless frights and deaths to convey the heartbreaking and heartbreaking reality of survival. It portrays the shared experiences of a family living deep in the woods after a zombie-like outbreak, though not exactly.
The Ritual (2017)
After the death of a close friend a few months before setting off together on an expedition, a group of four men decide to ritualize the event through a hiking trip in Sweden. The getaway seems to serve its purpose with the four, Phil (Arsher Ali), Dom (Sam Troughton), Hutch (Robert James-Collier) and Luke (Rafe Spall), who mourn the loss of their dear friend. But things start to go wrong when Dom injures his leg and the four must embark through a lurid forest, which reeks of mystery and nameless evils. Will they be able to escape safely, or are they doomed from the very moment of their friend’s untimely death?
Vampires vs. the Bronx (2020)
Have you ever realized that your neighborhood is no longer “yours”? Gentrification rears its ugly head in Vampires vs. the Bronx, and – as the title suggests – there are bloodsuckers who are literally killing the neighborhood while cleaning up real estate prices. Miguel (Jaden Michael) answers the call to save his neighborhood before he learns that the undead were moving. Once he knows the truth, Miguel (aka “Lil Mayor”) will need the help of his friends, Bobby Carter (Gerald W. Jones III) and Luis Acosta (Gregory Diaz IV), to take on the vampires. The film cleverly mixes its horror with some really hilarious comedy moments. References to pop culture are very current, being one of the funniest horror movies of the year.
A teenage girl named Anna (Bel Powley) spends most of her life trapped in an attic, condemned to remain there by her “father”, Gabriel Hanson (Brad Dourif). But Wildling’s true terror begins once Anna is freed by Sheriff Ellen Cooper (Liv Tyler), who gives her a chance to live a normal life. But Anna is far from normal and doesn’t exactly fit in with other kids her age. Life in high school may already be a horror story in itself, but Anna’s physical and mental tests are on another level. There are secrets in her past that Anna simply cannot escape. And once the truth is discovered… Well, you better see the twists and turns of this incredible movie with your own eyes.
JD Dillard directed and co-wrote Sweetheart, one of Blumhouse’s best films. Kiersey Clemons gives a very strong performance as Jennifer “Jenn” Remming, a young woman who is shipwrecked and alone on a seemingly deserted island. Unfortunately for Jenn, there is something else with her on that island. Something monstrous, sure: but is Jenn really dealing with a monster, or is she carrying a monster on her mind herself? In this horror story, Jenn’s past calls into question her credibility, though the chills and scares are all too real. Clemons takes the film from beginning to end.
Await Further Instructions (2018)
Await Further Instructions causes division between critics and audiences, although it remains a haunting horror story that takes place at Christmas. They are already tense dates for the Milgram family; however, things get worse when the whole house is surrounded by a black substance. The only guide the family has are the instructions on television that tell them what to do next. Paranoia and fear take over the Milgrams, as they trust everything on TV while breaking their family ties for good.