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Mabe Fratti Sentir Que No Sabes review Alexis Petridis’s album of the week

Mabe Fratti Sentir Que No Sabes review Alexis Petridis’s album of the week

Mabe Fratti’s latest album, “Sentir Que No Sabes,” has been making waves in the music world, and Alexis Petridis’s review of the week delves deep into its intricate layers. Fratti, a Guatemalan cellist and composer, has crafted an album that is both haunting and mesmerizing, blending ambient sounds with experimental textures. The album’s title, which translates to “Feeling That You Don’t Know,” sets the tone for an exploration of uncertainty and introspection.

Petridis, known for his keen ear and insightful critiques, gives “Sentir Que No Sabes” a thoughtful examination. He highlights Fratti’s ability to create a soundscape that feels both intimate and expansive. The album opens with “Algo Grandioso,” a track that immediately immerses the listener in a world of ethereal strings and subtle electronic beats. Fratti’s cello work is front and center, weaving through the composition with a delicate yet powerful presence.

Throughout the album, Fratti collaborates with various artists, adding layers of complexity to her sound. Tracks like “Deja de Empujar” and “Nadie Sabe” showcase her ability to blend different musical elements seamlessly. Petridis notes that these collaborations bring a richness to the album, each artist contributing their unique voice while maintaining a cohesive overall sound.

One of the standout tracks, according to Petridis, is “Hacia el Vacío.” This piece is a masterclass in building tension and release, with Fratti’s cello creating a sense of longing and melancholy. The track’s minimalist approach allows each note to resonate deeply, drawing the listener into a contemplative state. Petridis praises Fratti’s restraint, noting that she never overplays her hand, allowing the music to breathe and evolve naturally.

Petridis also points out the album’s thematic coherence. “Sentir Que No Sabes” is an exploration of the unknown, both in a personal and universal sense. Fratti’s compositions reflect this theme, with each track feeling like a journey into uncharted territory. The use of field recordings and ambient sounds adds to this sense of exploration, creating a sonic landscape that feels both familiar and alien.

The production on “Sentir Que No Sabes” is another aspect that Petridis highlights. The album is meticulously crafted, with each element carefully placed to create a balanced and immersive listening experience. Fratti’s attention to detail is evident in tracks like “Lo Que Queda,” where the interplay between the cello and electronic elements is perfectly calibrated. Petridis notes that the production enhances the emotional impact of the music, drawing the listener deeper into Fratti’s world.

While Petridis is full of praise for “Sentir Que No Sabes,” he also acknowledges that the album may not be for everyone. Its experimental nature and introspective themes require a certain level of engagement from the listener. However, for those willing to take the journey, the rewards are plentiful. Petridis concludes that Mabe Fratti has created a work of art that is both challenging and deeply moving, a testament to her skill as a composer and musician.

In the broader context of contemporary music, “Sentir Que No Sabes” stands out as a bold and innovative work. Fratti’s willingness to push boundaries and explore new sonic territories sets her apart from many of her peers. Petridis’s review underscores the importance of artists like Fratti, who are unafraid to take risks and create music that defies easy categorization.

As the album continues to gain attention, it’s clear that Mabe Fratti is a force to be reckoned with in the music world. “Sentir Que No Sabes” is a testament to her vision and talent, and Alexis Petridis’s review captures the essence of what makes this album so special. For those looking to explore new musical landscapes, “Sentir Que No Sabes” is a journey worth taking.