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Understanding Burlesque's Past to Predict Its Future

Understanding Burlesque’s Past to Predict Its Future
Entertainer Anne Martinez uses tweezers to attach a rhinestone to a Saint Showgirl Midsummer Night’s Dream creation at her home . Ethan Miller/Getty Images

If you’re of a certain age, you might have noticed that the 21st century has seen an uptick in the prominence of burlesque. This includes the 2010 film of the same name, which seems to be a cult classic in waiting. What may have once seemed either risqué or archaic has become a more settled part of the entertainment landscape, with big names and power rankings like any other artistic community. Burlesque even made its way to Taylor Swift’s Eras Tour.

Is there anything we can learn from the long history of burlesque to tell us about where it might head next? That’s one of the questions Betsy Golden Kellem explored in an article for JSTOR Daily. Kellem writes that this art form has “a lot to say about sex, gender, queerness, performance, desire, and sex work,” and makes the case that burlesque has managed to do that since its origins in the first half of the 19th century.

Kellem points to several academic studies of burlesque to help define both what it is and what it’s not. She addresses the borderline-satirical elements of burlesque, noting that it “uses norms of beauty and sexuality as playgrounds.” It stands to reason that as the nature of what is considered beautiful changes, so too will burlesque, which also helps to explain its continued appeal.

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In a 2021 interview, Dita Von Teese made an impassioned case for contemporary burlesque. “What is it about burlesque that is so relevant in this era? Why I’m so glad that I’m a burlesque star in this era and not the 1940s, when it was all underneath the male gaze and it was just simply a girly show,” she told The Creative Independent. “I just really want people to understand it more.” It certainly feels like a form of creative expression that’s here to stay.

Source: Particle News, Getty Images, JSTOR Daily, The Creative Independent