Andy Summers Reflects on Regrets Over The Police’s Breakup

The Police topped the charts with Synchronicity, but soon after, the band was no more. Guitarist Andy Summers explains it was a typical trajectory for a famous band.

“When you become incredibly famous and they throw all this money at you, then the rot sets in,” he laughed during a conversation with UCR. “It’s challenging to stay away from that.”

Although Summers would have preferred a different end, he’s stayed constantly creative over the years. Sometimes, one project leads to another. Last year, he released A Series of Glances, a photography book. This book inspired a soundtrack, which has now become the EP Vertiginous Canyons.

During a recent appearance on Ultimate Classic Rock Nights, Summers discussed his new music and shared some thoughts on the upcoming Synchronicity box set.

This EP seems to have come about organically.
It was an unusual process for me. My usual routine involves composing music in the small shack at the end of my garden where I sit with my guitars and recorder. This time, I was working on the book, and towards the end, they asked if I could create some music for it. I thought it was an interesting idea—to have people listen to my music while viewing the photographs through a code. So, I agreed.

Creating the music involved flipping through the book in my studio, using different sonic devices with my guitar, and recording it all. It was a fun and quick process—done in just three hours, like in the old days. This spontaneity might have given the tracks a fresh feel. I enjoyed it, and now they’re releasing it as a CD, which I’m okay with.

How much more did you have to do after the initial three-hour session?
Not much. I had a few false starts but created most of it quickly. I’ve been playing all my life, so it wasn’t difficult. The process wasn’t a struggle; it was quite enjoyable.

Growing up with jazz, what did it add to your playing style?
Starting at 15, I tried to copy Wes Montgomery. Jazz taught me about timing and rhythm, essential elements for any musician. I have a deep appreciation for jazz greats like Wes, Kenny Burrell, and Jimmy Rainey. Their influence is seen in my phrasing and sense of time and space. This was a crucial part of my education as a teenager and has shaped my approach to music throughout my life.

How did you discover musicians like Wes and Sonny?
Wes Montgomery amazed the jazz world with his unique style. He was a natural talent and became a star, influencing many guitarists—including myself. The era he emerged marked a pivotal time for the guitar as the premier instrument in music. Wes was a major figure during that time, setting a high standard for guitarists.

Fans are eager about the Police box set for Synchronicity. How involved were you?
The record company did most of the work, pulling tracks and artwork together. We had some input, especially regarding sensitivities like essays about the band. I hope it goes to number one. It’s always satisfying to see your work appreciated, especially considering the effort we put into it.

Which song on Synchronicity had the most interesting journey?
“Every Breath You Take” was almost scrapped. It wasn’t coming together, but my guitar line saved it. The manager knew instantly it would be a hit, and it went on to be our first number one in the U.S., staying there for eight weeks.

“Goodbye Tomorrow” evolved into “Someone to Talk To,” a B-side. What do you remember about it?
I was pleased with “Someone to Talk To,” but it didn’t make the album. “Mother” was my more experimental track that ended up on Synchronicity. A&M probably didn’t expect something so unconventional. “Someone to Talk To” had potential and, in hindsight, could have been a hit.

What’s your perspective on Synchronicity now?
It’s not my favorite album. I appreciate it has great songs and good playing, but my personal favorite is our second album, Reggatta de Blanc. It was raw and recorded quickly, capturing our excitement as young musicians. Synchronicity was more sophisticated and less of a trio album, though still dominated by the trio. I appreciate all our albums, but the second one holds a special place for me.