Directed by Jun’ichi Yasuda [Fantasia 2024]

The Jidaigeki genre, once a popular staple in both film and television, has seen a decline over the years. The repetitive nature of honorable samurai triumphing over evil contributed to audience fatigue. This decline serves as the backdrop for writer and director Jun’ichi Yasuda’s film A Samurai in Time, which explores this scenario both on and off the screen.

Just like Yasuda is attempting to revive the Jidaigeki genre, his characters are on a similar mission. The plot centers around Kosaka (Makiya Yamaguchi), a real-life samurai who is mysteriously transported to a modern-day film set. On this set, a samurai story is being filmed, and Kosaka finds himself bewildered by the contemporary world. Gradually, he adapts and starts acting in films, helping to rejuvenate the ailing genre. A Samurai in Time effectively mirrors life imitating art as Yasuda seeks to demonstrate there is still life in these traditional stories. The film adheres to classic Jidaigeki conventions, while simultaneously updating them for the modern era.

A Samurai in Time balances humor and emotional depth. What starts as a light-hearted fish-out-of-water comedy gradually turns into something more serious. The comedic elements, such as Kosaka’s astonished reactions to modern technology like television and vacuum cleaners, give way to a deeper narrative. Kosaka is not just adjusting to a new world; he is grappling with the loss of everything he has ever known. Makiya Yamaguchi portrays Kosaka with a contemplative sadness that imbues the character with depth, evoking a sense of melancholy similar to Connor MacLeod’s in Highlander. As the film progresses, it begins to echo the emotional tones of Russell Mulcahy’s cult classic.

From a technical standpoint, A Samurai in Time is a visual and auditory treat. The film’s meticulous production design pays homage to traditional Jidaigeki films, capturing their essence perfectly. The vibrant score transports the audience to historic Japan, enhancing the film’s atmosphere. One of the film’s standout moments occurs in its final act, where a beautifully choreographed sword battle unfolds. Here, the sound design minimizes all but the clashing of swords, accompanied by slow-motion sequences that are breathtakingly executed.

Despite its many strengths, A Samurai in Time is not without its flaws. The film’s 130-minute runtime feels overly long and its pacing is somewhat sluggish. While the shift from comedy to drama aids in sustaining the film’s extended length, some viewers might find their attention waning. Nevertheless, A Samurai in Time is a commendable effort to revive a neglected genre, largely succeeding in bringing the samurai narrative into the contemporary age.

A Samurai in Time was reviewed at Fantasia 2024. It will next screen in the UK at Pigeon Shrine FrightFest.

Source: The Hollywood News