Emmy-Nominated ‘Quiet On Set’ Makers Mull Sequel on Child Actor Abuse

The creators of “Quiet on Set: The Dark Side of Kids TV” are open to producing a follow-up to the series, which recently earned two Emmy nominations, including Outstanding Documentary or Nonfiction Series. The five-part series on Investigation Discovery focuses on the alleged abuse faced by stars of popular Nickelodeon shows during their childhood. These shows include “The Amanda Show,” featuring Drake Bell and Raquel Lee Bolleau, and “All That,” featuring Shane Lyons, Katrina Johnson, Leon Frierson, Giovonnie Samuels, and Bryan Hearne, as well as “Zoey 101,” featuring Alexa Nikolas.

Executive Producer Mary Robertson shared her thoughts on the overwhelmingly positive response to the project, noting that it surpassed all expectations. She expressed pride in how the series has sparked essential conversations about protecting children in the entertainment industry.

Co-Executive Producer Emma Schwartz emphasized the importance of the series’ impact, highlighting that the story needed to be told given the significant influence of these shows on millions of children. Schwartz expressed hope that this series will continue the conversation about preventing abusive environments. This dialogue is especially crucial because many participants chose to share their painful experiences in the hope of fostering change.

“Quiet on Set” shines a light specifically on Nickelodeon shows produced by Dan Schneider, who apologized for his conduct earlier this year. However, the abuse issues may extend beyond this particular network and producer, affecting more former child stars who have yet to come forward.

Robertson reiterated their openness to hearing more stories from those willing to share them. She stressed that no one should feel pressured to speak out before they are ready but assured that they remain passionate about continuing to uncover and share these stories.

During the series’ production, participants were given the freedom to recount their experiences in ways that felt true to them. This approach was integral, considering the sensitive nature of the subject. The series adopted a trauma-sensitive approach, minimizing distractions like music and allowing the survivors’ narratives to come through clearly. The testimony of the participants was left as raw and unfiltered as possible, focusing solely on their words and experiences without adding external commentary.

The recognition by the TV Academy with two Emmy nominations has left Robertson “deeply moved.” She took the opportunity to acknowledge the project’s contributors, including the brave individuals who shared their stories and the teams at Investigation Discovery and Maxine Productions who brought the series to life.

Schwartz added that the Emmy nominations reflect the public’s response to “Quiet on Set.” The series resonated with many former child actors, some of whom have felt encouraged to share their own experiences as a result. This collective response underscores a growing call for meaningful and ongoing changes within the entertainment industry.

Source: Deadline