10 Best 4 Channel IPTV Encoders (October 2026)

The most common mistake with a four-channel encoder is buying the wrong kind of device for the job. A compact streaming box built for RTMP and SRT pushes to YouTube will not feed a QAM modulator in a hotel headend. A rack-mount broadcast unit with ASI and MPEG-2 output is overkill, and awkward to configure, for a church that wants four camera feeds on Facebook Live. Even the "4 channel" label is loose: some units take four HDMI inputs, some split one input into four streams, and some accept only analog CVBS. The Best 4 Channel IPTV Encoders depend on three things: the input type you have, the output your network or distribution chain expects, and the resolution you need to carry.

The short answer: the ORIVISION EH1304 4K Encoder suits most streamers who want four HDMI inputs, 4K on two of them and an LCD for monitoring; the Thor Broadcast HDMI Modulator Encoder suits anyone who has to push video over coax and QAM as well as IP; and the ORIVISION EH1301 4K Encoder suits compact 4K work where an HDMI loop-out for local monitoring matters. The rest of the list covers rack-mount headend units, NetPlay-compatible encoders, a single-input 4K60 encoder and an analog MPEG-2 unit for DTV operators.

TL;DR: top picks at a glance

• Best overall: the ORIVISION EH1304 4K Encoder, four HDMI inputs with up to 16 simultaneous feeds and an LCD status screen.
• Best for coax and QAM distribution: Thor Broadcast HDMI Modulator Encoder, combines encoder, modulator, IPTV server and ASI mux in one 1080p60 chassis.
• Best for local monitoring: ORIVISION EH1301 4K Encoder, 2x4K30 plus 2x1080P30 output with an HDMI loop-out.
• Best for 4K60 input in a small body: J-Tech Digital JTECH-ENCH4, accepts 4K 60Hz and outputs 1080P60 H.264 or H.265 in a unit under 1.2 pounds.

Best 4 Channel IPTV Encoders Comparison (October 2026)

#	Product	Best for	Max Resolution	Outputs	Weight
1	ORIVISION EH1304 4K Encoder	Multi-platform streaming	2x4K30 + 2x1080P60	IP, up to 16 feeds	1.74 lb
2	Thor Broadcast HDMI Modulator Encoder	Coax and QAM distribution	1080p60	QAM, ASI, IP	12 lb
3	ORIVISION EH1301 4K Encoder	Compact 4K with loop-out	2x4K30 + 2x1080P30	IP, HDMI loop-out	1.30 lb
4	Shineco NetPlay 4-Channel Encoder	NetPlay systems	1080p	IP	10 lb
5	Thor Broadcast HDMI Multiplexer Encoder	Headend multiplexing	Not listed	ASI, IP (SPTS and MPTS)	8 lb
6	Voca Tech 4-Channel H.264 Encoder	Dual-network IP streaming	1080P60	IP, dual Ethernet	1.8 lb
7	J-Tech Digital JTECH-ENCH4	4K60 single source	4K60 in, 1080P60 out	IP	1.17 lb
8	HaiweiTech 1U Streaming Encoder	HDMI plus CVBS racks	1080p60	IP, 6 TS streams	6.6 lb
9	Shineco 4K 1U Rack Encoder	Rack-mount 4K	3840×2160	IP, TF card	Not listed
10	GOWE 4-Channel MPEG-2 Encoder	Analog DTV headends	SD (PAL/NTSC)	ASI, TSoIP	2.2 lb

1. ORIVISION EH1304 4K Encoder: Best LCD-Monitored IPTV Encoder for Multi-Platform Streaming

• Inputs: 4 HDMI plus 4 external audio jacks
• Resolution: 2 channels at 4K30 and 2 channels at 1080P60
• Codecs: H.265, H.264, MJPEG
• Outputs: 1 Ethernet port, up to 4 destinations per channel (16 total)
• Weight: 1.74 lb

Pros:

• Four real HDMI inputs, each with its own external audio jack, so camera and mixer audio can be embedded separately.
• Each channel can feed up to four destinations, giving a maximum of 16 simultaneous streams to different platforms or protocols.
• The built-in LCD shows working status in real time, which removes the need for a laptop on the rack during an event.
• Supports RTMP, RTMPS, SRT, RTSP, HTTP, HLS, FLV, UDP and ONVIF, plus a built-in RTMP server.

Cons:

• Only two of the four channels run at 4K30; the other two top out at 1080P60.
• A single Ethernet output means all 16 feeds share one network connection.
• Not a broadcast headend device, so there is no ASI or QAM output.

Best for: Streamers, houses of worship and venues that need to send four HDMI sources to several platforms at once.

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What sets the ORIVISION EH1304 4K Encoder apart is how it combines true four-input capacity with fan-out. Most encoders in this list give you four streams. This one gives you four inputs and up to four destinations per input, with different protocols allowed on each, so one channel can go to Facebook by RTMP and to a local player by HLS at the same time.

The practical details are also strong. Overlay tools cover text, time and image OSD, and mirror and flip options help with projector or ceiling-mounted camera setups. It works with OBS and VLC, ships with a 1-year warranty and free firmware updates, and is rated for continuous 24/7 operation, which matters for a channel that never goes offline.

It is the wrong choice if you need coax output. The Thor Broadcast HDMI Modulator Encoder adds QAM and ASI, which the EH1304 lacks. If you want a smaller 4K box with an HDMI loop-out for a monitor, the ORIVISION EH1301 4K Encoder is lighter at 1.30 lb, but it lacks the separate audio jacks and the LCD.

2. Thor Broadcast HDMI Modulator Encoder: Best QAM-Capable IPTV Encoder for Coax Distribution

• Sources: 4x HDMI, YPbPr or CVBS
• Encoding: MPEG-2 or H.264, up to 1080p60
• Outputs: QAM, ASI and IP
• Management: Web browser, with closed caption input
• Dimensions and weight: 1.8 x 17 x 19 inches, 12 lb

Pros:

• Accepts HDMI, component (YPbPr) and composite (CVBS) sources, so mixed old and new equipment can share one chassis.
• Outputs QAM for coax, ASI for headend gear and IP for network distribution from the same unit.
• Encodes up to 1080p60 with a low-latency mode.
• Functions as encoder, modulator, IPTV server and ASI multiplexer, which cuts the number of boxes in a rack.

Cons:

• At 12 lb and 19 inches wide, it needs a proper rack or shelf.
• It is built for hotel, campus and cable-style distribution, so it is more than a simple streamer needs.
• Streaming-platform features such as RTMPS or SRT are not specified.

Best for: Hotels, schools and small cable operators that must deliver four video sources over existing coax as well as IP.

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The Thor Broadcast HDMI Modulator Encoder is the only unit here that goes straight to RF. If your destination is a room full of coax-connected TVs, the QAM output means no separate modulator is needed, and that alone makes it the best fit for a property-wide channel lineup.

The web-based management and closed caption input also point to compliance-minded installs. It sits in the same family as the Thor Broadcast HDMI Multiplexer Encoder, but the Modulator version is the one to pick when RF output is required; the Multiplexer adds dual power supplies and MPTS handling instead.

Do not buy it to stream to YouTube or Twitch. The ORIVISION EH1304 4K Encoder offers RTMP, RTMPS and SRT, and weighs a fraction as much.

3. ORIVISION EH1301 4K Encoder: Best Loop-Out 4K IPTV Encoder for Compact Live Production

• Output streams: 2x4K30 plus 2x1080P30 (with 4K30 input)
• Codecs: H.265, H.264, MJPEG
• Extras: HDMI loop-out, audio-only encoding, OSD overlays
• Warranty: 3-year limited
• Dimensions and weight: 6.5 x 5.1 x 1.1 inches, 1.30 lb

Pros:

• The HDMI loop-out lets you watch the live signal on a local monitor without a splitter.
• Four simultaneous output streams from a 4K30 input, two of them at full 4K.
• RTMP supports username and password authentication, and SRT handles low-latency links.
• A 3-year limited warranty is the longest on this list.

Cons:

• Secondary streams are limited to 1080P30 rather than 60 frames per second.
• There is no LCD, so status checks need the web interface.
• ONVIF compatibility is a niche benefit that most streamers will never use.

Best for: Event crews and small studios that want 4K output and a local confidence monitor in a very small box.

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The ORIVISION EH1301 4K Encoder is the compact sibling of the EH1304. It trades the four-input layout and the LCD for the loop-out and a smaller footprint. For a camera-to-platform chain where you need one source at 4K plus lower-resolution streams for monitoring or backup, it covers the job.

The audio-only encoding mode is useful for radio-style feeds or secondary audio streams. The OSD and flip functions match those on the EH1304, and it works with OBS, VLC and vMix.

Choose the ORIVISION EH1304 4K Encoder instead when you have four separate HDMI sources, and the J-Tech Digital JTECH-ENCH4 when 4K60 input compatibility is more important than 4K output.

4. Shineco NetPlay 4-Channel Encoder: Best NetPlay-Ready H.264 IPTV Encoder for Video Storm Systems

• Encoding: H.264, 4 channels
• Resolutions: 1920x1080p, 1920x1080i, 1280x720p, 720×576 and 640×480
• Outputs: UDP, RTP, RTMP, RTSP and HTTP
• Server support: Wowza, FMS, RED5
• Weight: 10 lb

Pros:

• Designed to add live HDMI sources to NetPlay Pro and Home systems.
• Works with Wowza, FMS and RED5 media servers.
• Supports both progressive and interlaced formats, including legacy 720×576 and 640×480 signals.
• Custom resolutions are possible.

Cons:

• Maximum resolution is 1080p, with no 4K support.
• H.264 only, with no H.265 option for bitrate savings.
• At 10 lb it is heavy for a device that outputs only IP.

Best for: Owners of NetPlay Pro or Home systems who want a rack-mount encoder that plugs into that ecosystem.

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The Shineco NetPlay 4-Channel Encoder is a niche choice that makes sense mostly inside its intended ecosystem. Its NetPlay integration is the selling point, and the Wowza, FMS and RED5 compatibility extends that to server-based workflows.

Confirm the input arrangement before buying, since the NetPlay material discusses single-source encoders alongside multi-source rack models. If 4K matters, the Shineco 4K 1U Rack Encoder is the better fit from the same brand.

5. Thor Broadcast HDMI Multiplexer Encoder: Best Dual-Power IPTV Encoder for Headend Multiplexing

• Inputs: 4 HDMI
• Encoding: MPEG-2 or H.264
• Outputs: ASI and IP, with SPTS and MPTS streams
• Power: Dual power supplies
• Dimensions and weight: 1.75 x 15 x 19 inches, 8 lb

Pros:

• Dual power supplies add redundancy for always-on service.
• Streams individual SPTS and a combined MPTS over IP.
• Supplies full program specific information and PIDs for downstream equipment.
• Lets you choose MPEG-2 or H.264 programs.

Cons:

• Maximum resolution is not specified.
• No RF or QAM output, unlike the Thor Broadcast HDMI Modulator Encoder.
• Needs transport-stream knowledge to configure well.

Best for: Headend engineers who need a multiplexed MPTS on IP and ASI with power redundancy.

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The Thor Broadcast HDMI Multiplexer Encoder is a broadcast tool first. Its value lies in packaging four HDMI programs into one MPTS, or leaving them as separate SPTS, and sending them out over ASI and IP with correct PSI data.

It is the wrong choice for casual streaming. For that, the ORIVISION EH1304 4K Encoder is easier to configure. For direct coax delivery, move up to the Thor Broadcast HDMI Modulator Encoder.

6. Voca Tech 4-Channel H.264 Encoder: Best Dual-Ethernet IPTV Encoder for Separated Management Networks

• Inputs: 4 HDMI with 4 audio inputs
• Streams: Up to four stream settings per HDMI (main, sub, third, fourth)
• Audio: MP3, AAC, G.711
• Network: Dual Ethernet (WAN management, LAN transmission)
• Dimensions and weight: 9.8 x 3.9 x 1.4 inches, 1.8 lb

Pros:

• Separate management and transmission ports keep control traffic off the video network.
• Four HDMI inputs and four audio inputs in a compact body.
• Supports HTTP, RTSP, RTP, TCP, RTMP, UDP and HLS.
• Status LEDs show power, streaming and network state.

Cons:

• H.264 only, with no H.265 or 4K support.
• Lacks SRT, which is increasingly common on newer encoders.
• Documentation of stream limits is less clear than on the ORIVISION units.

Best for: Installers who need four 1080P60 H.264 inputs with a dedicated management network.

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The Voca Tech 4-Channel H.264 Encoder is a straightforward four-input 1080P60 unit. The dual-Ethernet design is its main differentiator, and it suits corporate or hospitality networks where management traffic is segmented.

It handles HDCP content, which the ORIVISION encoders do not mention. Against the ORIVISION EH1304 4K Encoder, it loses on 4K and SRT, but it is a clean choice when 1080p is enough.

7. J-Tech Digital JTECH-ENCH4: Best 4K60-Input H.264 and H.265 Encoder for Single-Source Streaming

• Input: HDMI up to 4K 60Hz
• Output: 1080P60, with 1 main stream and 3 substreams
• Codecs: H.264 and H.265
• Bitrate: CBR or VBR, 32 Kbps to 32 Mbps
• Dimensions and weight: 4.1 x 3.1 x 1.1 inches, 1.17 lb

Pros:

• Accepts a 4K 60Hz HDMI signal, which is rare among encoders at this size.
• Wide protocol support, including RTMP, RTMPS, SRT, HLS, FLV, RTSP, UDP and ONVIF.
• Web controls for flip, rotate, crop, contrast and brightness.
• One-year replacement warranty with lifetime technical support.

Cons:

• The four "channels" are one main stream and three lower-resolution substreams from a single HDMI input.
• Output tops out at 1080P60 even with a 4K input.
• No LCD or loop-out.

Best for: Anyone feeding a 4K60 source who wants multiple 1080p-class streams from one input.

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The J-Tech Digital JTECH-ENCH4 is the smallest and lightest encoder here, at 1.17 lb. It solves a specific problem: connecting a modern 4K60 source without a downscaler first. It then produces H.264 or H.265 streams at up to 1080P60.

If you need four separate HDMI inputs, it is the wrong tool; pick the ORIVISION EH1304 4K Encoder or Voca Tech 4-Channel H.264 Encoder. If you want 4K output, the ORIVISION EH1301 4K Encoder delivers it.

8. HaiweiTech 1U Streaming Encoder: Best Hybrid HDMI and CVBS IPTV Encoder for Mixed Rack Setups

• Inputs: 1 HDMI, 2 CVBS and 3 audio line-in jacks
• Encoding: H.264, up to 1920×1080 at 60 fps
• Outputs: HTTP, RTSP, RTMP, HLS, UDP multicast and unicast, optional SRT
• Streams: 6 H.264 TS outputs
• Dimensions and weight: 1.7 x 16.8 x 9.9 inches, 6.6 lb

Pros:

• Mixes digital HDMI and analog CVBS sources in one 1U chassis.
• Smart encoding adjusts bitrate to keep video smooth when the picture fluctuates.
• HDMI 1.4 HDCP is detected and enabled automatically when needed.
• Includes an SDK and API, IP finder tool and a mobile app, with a 1-year warranty.

Cons:

• The specified inputs are one HDMI and two CVBS, so confirm the channel count against your needs.
• SRT is optional rather than standard.
• No H.265 or 4K support.

Best for: Integrators who need a customizable 1U encoder for a mix of HDMI and legacy composite sources.

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The HaiweiTech 1U Streaming Encoder is aimed at integrators. The SDK, API and customization of web GUI and physical interfaces make it flexible for OEM-style deployments. It is also compatible with DVB-C QAM chains.

It is the wrong choice if you need four independent HDMI inputs; the Voca Tech 4-Channel H.264 Encoder offers that. For analog-only sources feeding a DTV headend, the GOWE 4-Channel MPEG-2 Encoder is more specialized.

9. Shineco 4K 1U Rack Encoder: Best 4K H.265 IPTV Encoder for Rack-Mounted Networks

• Resolution: Up to 3840×2160
• Codecs: H.264 (baseline, main, high profiles) and H.265
• Outputs: UDP, RTP, RTSP, RTMP, HTTP
• Storage: TF card support
• Dimensions: 1.7 x 17 x 11.8 inches (weight not listed)

Pros:

• Handles 4K HDMI in a 1U rack chassis.
• H.265 reduces bandwidth on long network runs.
• Local TF card support for recording.
• English web interface with password management and WAN remote control.

Cons:

• Weight is not listed.
• No SRT or RTMPS in the stated protocol set.
• NetPlay documentation is shared with the single-source encoder, which creates ambiguity on channel layout.

Best for: Rack-based installs that need 4K H.265 delivery over IP with local recording.

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The Shineco 4K 1U Rack Encoder is the choice if you want rack mounting and 4K together. The TF card slot is a practical addition for backup recording, and OSD is included.

For streaming platforms that expect SRT or RTMPS, the ORIVISION EH1304 4K Encoder is better equipped. The Shineco NetPlay 4-Channel Encoder is the 1080p alternative from the same brand.

10. GOWE 4-Channel MPEG-2 Encoder: Best Analog CVBS IPTV Encoder for DTV Headends

• Inputs: 4 CVBS, plus 1 external ASI input
• Encoding: MPEG-2 SD, bitrate 1 to 15 Mbps
• Outputs: ASI and TS over IP (1 MPTS or 4 SPTS)
• Control: Front panel keyboard and LCD, plus web browser
• Weight: 2.2 lb

Pros:

• The external ASI input can be multiplexed with local programs, reducing the need for a separate multiplexer.
• Outputs either one MPTS or four SPTS over IP.
• Includes PSI/SI compilation with NIT and LCN insertion.
• Supports PAL and NTSC modes.

Cons:

• Standard definition only, with no HDMI input.
• MPEG-2 is less efficient than H.264 or H.265.
• Irrelevant to streaming-platform workflows.

Best for: DTV and cable operators digitizing analog CVBS sources into ASI and IP.

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The GOWE 4-Channel MPEG-2 Encoder serves an older workflow, but a real one: analog sources turned into transport streams for DTV distribution. Features like dynamic GOP management and PCR handling are aimed at headend engineers.

For HDMI sources, look elsewhere. The Thor Broadcast HDMI Multiplexer Encoder offers a comparable ASI and IP structure with HDMI inputs and H.264 support.

Buyer's Guide: How to Choose the Right 4 Channel IPTV Encoder

The core trade-off is between streaming convenience and broadcast integration. Compact units like the J-Tech Digital JTECH-ENCH4 and ORIVISION EH1301 4K Encoder are easy to set up and focus on platform protocols. Rack-mount broadcast units like the Thor Broadcast HDMI Multiplexer Encoder add ASI, QAM and transport-stream control, but demand more expertise.

Before choosing, check these project details:

• Input type: Confirm whether your sources are HDMI, CVBS or a mix, and how many independent inputs you need.
• Output target: Decide between streaming platforms (RTMP, SRT), network distribution (UDP multicast, HLS) and broadcast chains (ASI, QAM).
• Resolution: Match 4K or 1080p to the displays and bandwidth you have.
• Codec: H.265 saves bandwidth; H.264 and MPEG-2 are more widely compatible.
• Physical space: Rack units are heavy and wide, while compact units suit desks and carts.

Output Resolution and Codec

Resolution drives both picture quality and bandwidth. The ORIVISION EH1304 4K Encoder and ORIVISION EH1301 4K Encoder both offer two 4K30 channels, while the Shineco 4K 1U Rack Encoder supports up to 3840×2160 in a rack format. The J-Tech Digital JTECH-ENCH4 accepts 4K60 but outputs 1080P60.

Codec choice follows from that. H.265 on the ORIVISION units, J-Tech and Shineco 4K reduces bandwidth for the same quality. H.264-only models such as the Voca Tech 4-Channel H.264 Encoder and Shineco NetPlay 4-Channel Encoder are fine at 1080p, and the GOWE 4-Channel MPEG-2 Encoder is limited to standard definition.

Network Protocols and Streaming Targets

Streaming platforms expect RTMP or RTMPS, while contribution links often prefer SRT. The ORIVISION EH1304 4K Encoder, ORIVISION EH1301 4K Encoder and J-Tech Digital JTECH-ENCH4 all offer SRT, RTMP and RTMPS. The Voca Tech 4-Channel H.264 Encoder supports RTMP but not SRT.

For internal IPTV, UDP multicast and HLS matter more. The HaiweiTech 1U Streaming Encoder and Shineco 4K 1U Rack Encoder cover UDP and HTTP, and the HaiweiTech adds multicast and unicast options. If you run a Wowza server, the Shineco NetPlay 4-Channel Encoder lists compatibility with it.

Broadcast Outputs Such as ASI and QAM

If your chain includes modulators or multiplexers, you need ASI or QAM. The Thor Broadcast HDMI Modulator Encoder provides QAM, ASI and IP. The Thor Broadcast HDMI Multiplexer Encoder and GOWE 4-Channel MPEG-2 Encoder provide ASI and IP with SPTS or MPTS options.

Headend rooms should be clean and ready before racks go in. A freshly refinished equipment room, where walls were prepped with a high build primer, still needs to be dust-free before the fans of a 12 lb chassis like the Thor Modulator start pulling air through it. Dedicated broadcast encoders also usually need an engineer familiar with PIDs and PSI tables, so factor in setup time.

Form Factor and Rack Space

Compact boxes, such as the 1.17 lb J-Tech Digital JTECH-ENCH4 and the 1.30 lb ORIVISION EH1301 4K Encoder, fit on a desk or in a travel case. Rack units like the Thor Broadcast HDMI Modulator Encoder (19 inches wide) and HaiweiTech 1U Streaming Encoder (1U) need a rack and cable management.

Airflow is the main concern in tight installs. Encoders run continuously, and the ORIVISION EH1304 4K Encoder is rated for 24/7 operation. Avoid enclosing any unit in a closet lined with foam insulation without ventilation, because trapped heat shortens the life of an always-on device.

Frequently Asked Questions About 4 Channel IPTV Encoders

What is a 4 channel IPTV encoder?

A 4 channel IPTV encoder converts video sources, usually HDMI or composite, into network streams such as RTMP, RTSP, UDP or HLS. Some, like the ORIVISION EH1304 4K Encoder, have four separate inputs. Others, like the J-Tech Digital JTECH-ENCH4, produce four streams from one input.

Which 4 channel encoder is best for live streaming to YouTube and Facebook?

The ORIVISION EH1304 4K Encoder is the strongest option because it supports RTMP and RTMPS and can send up to 16 feeds. The ORIVISION EH1301 4K Encoder is a more compact alternative with the same platform protocols. Both work with OBS and VLC.

Can an IPTV encoder output to coax TVs?

Only some can. The Thor Broadcast HDMI Modulator Encoder outputs QAM for coax distribution alongside ASI and IP. Most other units here, including the Voca Tech 4-Channel H.264 Encoder, output IP only.

Do I need H.265 or is H.264 enough?

H.264 is enough for 1080p over a local network and is supported by every IP model here. H.265 helps when bandwidth is limited or you stream 4K, as with the Shineco 4K 1U Rack Encoder and ORIVISION EH1304 4K Encoder. Check that your decoders or platforms accept H.265 before committing.

What is the difference between SPTS and MPTS?

SPTS carries one program per stream, while MPTS combines several programs in a single transport stream. The Thor Broadcast HDMI Multiplexer Encoder and the GOWE 4-Channel MPEG-2 Encoder can output both forms over IP. This matters mainly in headends where downstream equipment expects a particular format.

Can I encode analog sources with these devices?

Yes, with the right model. The GOWE 4-Channel MPEG-2 Encoder takes four CVBS inputs, and the HaiweiTech 1U Streaming Encoder adds two CVBS inputs alongside HDMI. The Thor Broadcast HDMI Modulator Encoder also accepts YPbPr and CVBS.

Final Verdict: Which 4 Channel IPTV Encoder Should You Buy?

Best 4 Channel IPTV Encoders for most streamers start with ORIVISION EH1304 4K Encoder: four HDMI inputs, two channels at 4K30 and two at 1080P60, up to 16 simultaneous feeds, and an LCD for status. Its main weakness is that it offers IP output only, with no ASI or QAM for broadcast chains.

For alternatives, match the device to the workflow. The Thor Broadcast HDMI Modulator Encoder is the pick for coax and QAM distribution, and the ORIVISION EH1301 4K Encoder suits compact 4K work with a loop-out. The J-Tech Digital JTECH-ENCH4 fits a single 4K60 source, and the Voca Tech 4-Channel H.264 Encoder fits managed networks that want separate control and video ports.

The specialist picks serve narrower needs. The Thor Broadcast HDMI Multiplexer Encoder and GOWE 4-Channel MPEG-2 Encoder belong in headends that need ASI, SPTS and MPTS, while the Shineco NetPlay 4-Channel Encoder, Shineco 4K 1U Rack Encoder and HaiweiTech 1U Streaming Encoder fit rack installs with specific ecosystem or input needs. If you are still undecided, start with your output target: choose the ORIVISION EH1304 for streaming platforms, or a Thor Broadcast unit for broadcast distribution.