10 Best Mixers for Karaoke (October 2026)

A karaoke night goes wrong in predictable ways. The singer's mic sounds thin because the mixer has no phantom power for a condenser. The backing track from a phone drowns the vocal because there is no dedicated mic level or talkover. Or the mixer turns out to be unpowered, and the buyer finds out only when nothing comes out of the speakers. The Best Mixers for Karaoke depend on how many mics you need, where the music comes from (Bluetooth, USB stick, laptop or a turntable) and whether the mixer needs to add reverb and echo itself.

The short answer: the Yamaha MG10XU suits most home and small-venue setups that want clean preamps and built-in effects, the Pyle PMXU43BT 4-Channel suits singers who want Bluetooth, USB playback and phantom power in a very light box, and the Behringer X AIR XR18 suits venues that run several mics and want tablet control. The rest of the list covers compact analog boards, a 12-channel console, budget Bluetooth mixers and a DJ-style unit with dual mic talkover.

TL;DR: top picks at a glance

• Best overall: the Yamaha MG10XU, 10 inputs with built-in SPX effects, a USB interface and 128 dBu equivalent input noise.
• Best for Bluetooth on a budget: Pyle PMXU43BT 4-Channel, Bluetooth, USB playback and 48V phantom power in a 2.9 lb steel chassis.
• Best for live venues: Behringer X AIR XR18, 18 channels and 16 programmable Midas preamps with a built-in Wi-Fi router.
• Best for simple wired setups: Mackie Mix8, an 8-channel analog mixer with 3-band EQ on every channel and no menus.

Best Mixers for Karaoke Comparison (October 2026)

#	Product	Best for	Channels	Connectivity	Weight
1	Yamaha MG10XU	Home and small venues	10	USB	7.7 lb
2	Pyle PMXU43BT 4-Channel	Compact Bluetooth singing	4	Bluetooth, USB	2.9 lb
3	Behringer X AIR XR18	Multi-mic live venues	18	USB, Wi-Fi	7.1 lb
4	Mackie Mix8	Simple wired setups	8	Wired	2.4 lb
5	Pyle PMXU63BT 6-Channel	Bluetooth with more inputs	6	Bluetooth, USB	3.8 lb
6	Behringer XENYX 802S	Laptop karaoke streaming	8	USB	3.5 lb
7	Pyle PMXU128BT 12-Channel	Large multi-mic rigs	12	Bluetooth, USB, aux	10.6 lb
8	Riworal 6-Channel Bluetooth Mixer	Budget four-mic parties	6	Bluetooth, USB	5.1 lb
9	Aveek AK-70 5-Channel	Tiny desktop setups	5	Bluetooth, USB	Not listed
10	Pyle PMX8BU DJ Mixer	Mobile DJ karaoke hosts	3	Bluetooth, USB	2 lb

1. Yamaha MG10XU: Best 10-Input Analog Mixer with Effects for Home Karaoke Rigs

• Channels: 10 inputs, stereo mixer
• Effects: Built-in SPX digital effects
• EQ: 3-band with high-pass filters
• Noise: 128 dBu equivalent input noise, 102 dBu residual output noise
• Weight: 7.7 lb, powder-coated metal chassis

Pros:

• The SPX digital effects add reverb and echo to a vocal without needing an outboard processor.
• Class A discrete preamps with an inverted Darlington circuit give mics a full low end and smooth highs.
• One-knob compressors even out a singer who moves between loud and quiet passages, with no threshold or ratio settings to learn.
• The built-in USB interface lets a laptop play backing tracks in and record the mix out.

Cons:

• At 7.7 lb it is much heavier than the Bluetooth-focused Pyle boxes.
• It has no Bluetooth, so phone playback needs a cable into the stereo inputs.
• The metal chassis and 10-input layout take up more table space than a 4- or 5-channel mixer.

Best for: The home or small-bar host who wants one or two good mics, a laptop for tracks and built-in reverb without extra gear.

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The Yamaha MG10XU is the best karaoke mixer here because it solves the part of karaoke that matters most: making a voice sound good through ordinary speakers. The discrete preamps and the high-pass filters remove rumble and stage handling noise, and the SPX effects supply the reverb that makes an untrained singer sound more polished. The 128 dBu equivalent input noise figure also means quiet passages stay clean when the gain is raised for a soft singer.

Against the Behringer XENYX 802S, the Yamaha has more inputs, a sturdier chassis and effects on board, while the Behringer is lighter and aimed at streaming. Against the Pyle PMXU63BT 6-Channel, it gives up Bluetooth and a built-in MP3 player in exchange for better preamps and a metal build with a stronger reputation for staying quiet.

It is the wrong choice if your tracks live on a phone and you want to pair wirelessly. In that case the Pyle PMXU43BT 4-Channel is the lighter, simpler fit. It is also more than a single-mic household needs, where the Mackie Mix8 does the job with fewer controls.

2. Pyle PMXU43BT 4-Channel: Best Bluetooth Mixer with Phantom Power for Compact Karaoke Setups

• Channels: 4
• Connectivity: Bluetooth, USB and flash reader
• Phantom power: +48V, with XLR and 1/4-inch inputs
• EQ: 3-band on all channels
• Weight: 2.9 lb, steel chassis, 100V-240V power supply

Pros:

• Bluetooth streaming means a phone or tablet can feed backing tracks with no cable.
• The +48V button allows a condenser microphone on the XLR input.
• Sealed rotary controls resist dust and grime, which helps in a living room or garage party setup.
• The multi-voltage supply (100V-240V) works for travel and international use.

Cons:

• Four channels limit a duet night once you add a music source.
• The listing gives no effects section, so reverb and echo have to come from elsewhere.
• Frequency and voltage details are inconsistent in the specs, so check the manual for exact output levels.

Best for: The singer or family who wants phone-to-mixer Bluetooth and a condenser mic in a small, light box.

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The Pyle PMXU43BT 4-Channel earns its place by being the lightest full-featured option in the Pyle range. At 2.9 lb with a steel chassis, it travels easily, and the built-in controls for play, pause and track skip mean a singer can run the show without touching the phone. The 3-band EQ on every channel is generous for this size.

Compared with the Pyle PMXU63BT 6-Channel, it has two fewer channels and nearly a pound less weight, so it is the better pick when you only need a mic or two plus a track source. Compared with the Yamaha MG10XU, it gives up the SPX effects and the stronger preamps, but adds wireless playback.

Choose something else if you plan to run more than two mics or want built-in reverb. The Riworal 6-Channel Bluetooth Mixer and Pyle PMXU128BT 12-Channel both list DSP effects, and the Yamaha has the better effects engine.

3. Behringer X AIR XR18: Best 18-Channel Digital Mixer for Multi-Mic Karaoke Venues

• Channels: 18 inputs, 12 buses
• Preamps: 16 programmable Midas-designed mic preamps
• Control: iPad or Android tablet, built-in tri-mode Wi-Fi router
• USB: 18 x 18 bidirectional audio interface
• Weight: 7.1 lb, main outputs on 2 XLR

Pros:

• Sixteen mic preamps handle a full stage of singers, a band or a host plus multiple guests.
• The built-in Wi-Fi router means no external router is needed for tablet control.
• Each singer can have a separate monitor mix through the 12 buses.
• The 18 x 18 USB interface records every channel to a tablet or computer.

Cons:

• Everything is controlled from a tablet, so there are no physical faders to grab in a hurry.
• The learning curve is far steeper than any analog mixer on this list.
• It has no Bluetooth, so phone playback needs a cable or a wireless adapter.

Best for: The venue owner or KJ who runs several mics at once and wants monitor mixes and recording from a tablet.

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The Behringer X AIR XR18 is a different class of product from the rest of the list. It is a digital mixer built for live sound, and its value in karaoke comes from the 16 Midas-designed preamps and the 12 buses. Those mean a venue can give each performer a separate monitor mix and still send a clean blend to the main speakers.

The built-in Wi-Fi router lets the host walk the room with a tablet and adjust a vocal from the audience side of the stage. That is useful in a large bar, where the mixer position is rarely where you hear the room best. The Dugan-style auto-mixing for mic gain sharing is listed as a future firmware feature, so do not buy for it today.

It is the wrong choice for a living-room singer. The Yamaha MG10XU has the effects and tactile controls that make home use easier, and the Mackie Mix8 is simpler still. A venue that wants more physical channels without a tablet should look at the Pyle PMXU128BT 12-Channel.

4. Mackie Mix8: Best 8-Channel Unpowered Mixer for Simple Wired Karaoke

• Channels: 8, including 2 mic/line and 2 stereo line inputs
• Phantom power: Yes, for studio condenser mics
• EQ: 3-band on all channels
• Aux: 1 aux send with stereo 1/4-inch returns
• Weight: About 2.4 lb, unpowered

Pros:

• The 3-band EQ gives precise tone shaping on every channel without a menu.
• The two mic/line inputs have pan, level and overload indication, so a duet pair is covered.
• The signal path is clean, with no hiss reported as a common complaint.
• Two stereo 1/4-inch line inputs take a music source and a second device at once.

Cons:

• It has no Bluetooth, USB or built-in effects, so every source needs a cable.
• It is unpowered, so it needs powered speakers or a separate amplifier.
• There is no power on/off switch, which a number of owners dislike.

Best for: The wired-setup karaoke fan with powered speakers who wants a clean, uncomplicated mixer.

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The Mackie Mix8 is the straightforward choice. It does what a mixer should do: combine a couple of mics and a stereo source, shape them with EQ and send the result to speakers. The two extra channels are the aux returns, which is worth knowing because the 8-channel label counts them.

Compared with the Pyle PMXU63BT 6-Channel, the Mackie has more stable, quieter-sounding wired inputs but lacks Bluetooth and a USB player. Compared with the Behringer XENYX 802S, it has no USB interface, so it is not the one for streaming from a laptop.

It also suits musicians who plan to add MIDI keyboards to a home rig, since the two stereo line inputs take a keyboard's outputs directly. It is the wrong choice if you rely on a phone for tracks: the Pyle PMXU43BT 4-Channel adds Bluetooth for less desk space.

5. Pyle PMXU63BT 6-Channel: Best Mid-Size Bluetooth Mixer for Karaoke with a USB Player

• Channels: 6
• Connectivity: Bluetooth, USB and flash reader
• Phantom power: +48V
• EQ: 3-band on all channels
• Weight: 3.8 lb, steel chassis, 1-year warranty

Pros:

• Six channels cover two mics, a music source and a spare instrument or second device.
• Bluetooth and USB playback have on-unit play, pause and skip controls.
• The +48V phantom power button supports condenser mics.
• LED peak indicators help you avoid clipping a loud singer.

Cons:

• The 3.8 lb steel body is heavier than the 4-channel model for only two more channels.
• Effects are not described in the listing, so reverb has to come from elsewhere.
• Its published specs mix frequency and voltage figures, so check the manual.

Best for: The party host who wants Bluetooth, a USB player and room for two or three mics.

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The Pyle PMXU63BT 6-Channel is the sensible step up from the 4-channel model. It keeps the same Bluetooth, USB and phantom power feature set and adds the inputs a small group needs, which makes it a good middle point in the Pyle range.

The main reason to pick it over the Riworal 6-Channel Bluetooth Mixer is that it lists no DSP effects but is lighter and carries a one-year warranty, against 90 days for the Riworal. If you want built-in effects at this size, the Riworal is the one that lists 16 of them.

Skip it if you need studio-grade preamps: the Yamaha MG10XU is the better-sounding mixer. Skip it if you run a large room, where the Pyle PMXU128BT 12-Channel has the inputs.

6. Behringer XENYX 802S: Best Analog 8-Input Mixer with USB Interface for Laptop Karaoke

• Channels: 8 inputs, analog
• USB: Stereo audio interface for computer or mobile device
• Outputs: XLR, TRS and RCA
• Weight: About 1.6 kg (3.5 lb)
• Intended use: Streaming, podcasting and recording

Pros:

• Analog mixing and EQ keep the signal path simple and low-noise.
• The USB interface mixes PC audio directly into the streaming output.
• The compact size fits on a desk next to a laptop.
• Output options cover XLR, TRS and RCA, so connecting to different speakers is easy.

Cons:

• Some buyers report that a USB cable is missing from the box.
• It has no Bluetooth, so phone playback needs a cable.
• No built-in effects are listed, so reverb has to come from software on the laptop.

Best for: The karaoke streamer who plays tracks from a laptop and wants clean mic inputs.

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The Behringer XENYX 802S fits a specific modern use: singing along to laptop-based tracks or an online karaoke player while streaming the result. The USB interface lets the computer's audio go into the mix, and the mixer's output goes back to the computer, so viewers hear both the singer and the track.

Against the Mackie Mix8, the Behringer has the USB interface that the Mackie lacks, while the Mackie offers 3-band EQ on every channel and a more established wired layout. Against the Aveek AK-70 5-Channel, the Behringer relies on analog processing and has no Bluetooth, which suits users who prefer cable reliability.

It is the wrong choice for a phone-first karaoke setup. The Pyle PMXU43BT 4-Channel pairs wirelessly, and the Yamaha MG10XU is the better pick when you want effects in the mixer.

7. Pyle PMXU128BT 12-Channel: Best Console-Style Mixer with 16 DSP Effects for Large Karaoke Rigs

• Channels: 12, with XLR/combo inputs and sub out
• Effects: 16 DSP effects
• EQ: 7-band
• Connectivity: Bluetooth, USB-A, auxiliary
• Weight: 10.6 lb, 12-segment output meter

Pros:

• Twelve channels with XLR and combo inputs accommodate several mics at once.
• The 7-band EQ is more detailed than the 3-band control on the smaller Pyle mixers.
• The 12-segment output meter makes it easy to see when the master level is clipping.
• Bluetooth and USB inputs can be mixed with the other channels.

Cons:

• At 10.6 lb and about 21 inches deep it needs a real table.
• The listing is inconsistent about how many inputs are XLR, so check the layout before relying on a specific count.
• It has more controls than a casual singer needs.

Best for: The host of a large karaoke party who needs many mic inputs and onboard effects.

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The Pyle PMXU128BT 12-Channel is the biggest analog mixer here. It combines console layout, Bluetooth and a USB soundcard with DSP effects, which means one box can run a band-style karaoke night without outboard gear.

Compared with the Behringer X AIR XR18, it is much simpler to operate, because every control is on the panel. The trade-off is that it lacks the XR18's separate monitor buses and tablet control. Compared with the Pyle PMXU63BT 6-Channel, it adds channels, effects and more EQ bands for a big jump in size and weight.

It is the wrong choice for a single singer on a coffee table. The Pyle PMXU43BT 4-Channel or the Mackie Mix8 are less bulky.

8. Riworal 6-Channel Bluetooth Mixer: Best Budget 6-Channel Mixer with Four XLR Mics for Karaoke Parties

• Channels: 6, with 4 XLR inputs and a stereo pair
• Phantom power: +48V on the 4 XLR inputs
• Effects: 16 DSP effects
• EQ: 3-band
• Weight: About 2.3 kg (5.1 lb), 90-day warranty

Pros:

• Four XLR inputs with phantom power let several singers share one mixer.
• Sixteen DSP effects include reverb and delay.
• Bluetooth and USB playback are built in.
• It is a budget-priced route to a multi-mic Bluetooth mixer.

Cons:

• Sound quality feedback is mixed, with some buyers happy and others disappointed.
• The headphone output reportedly mirrors the main mix, so it cannot be used for cueing.
• It sends a noise spike when powered on, so turn it on before the amplifier, and the power cord is short.

Best for: The party host on a tight budget who needs four mic inputs and built-in effects.

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The Riworal 6-Channel Bluetooth Mixer stands out for its channel mix. Four XLR inputs on a 6-channel board is a better ratio for group singing than the Pyle PMXU63BT 6-Channel, which spreads its inputs across other uses.

The compromise is quality control. Mixed sound feedback, a mirrored headphone feed and a power-on spike mean it suits casual use better than a permanent bar setup. It also carries only a 90-day warranty.

For a more dependable build with the same channel count, the Yamaha MG10XU has better preamps and the Pyle PMXU63BT 6-Channel has a longer warranty.

9. Aveek AK-70 5-Channel: Best Mini Mixer with PC Recording for Desktop Karaoke

• Channels: 5, with 3 XLR inputs
• Phantom power: 48V on the XLR inputs
• EQ and effects: 2-band EQ, echo and delay
• Connectivity: Bluetooth (about 15 ft range), USB playback, USB-B PC recording
• Size: 8.27 x 8.27 x 2.56 inches, weight Not listed

Pros:

• The built-in recording chip lets a computer record over USB-B without extra software.
• Echo and delay effects give vocals some depth.
• A 3.5mm headphone jack allows monitoring.
• It is small enough for a desk or a shelf.

Cons:

• Bluetooth, USB and the 4/5 channel functions work as one of three options and cannot be used at the same time.
• It cannot send audio to a Bluetooth speaker, only to active speakers by cable.
• The 2-band EQ is less flexible than the 3-band controls on the Pyle mixers.

Best for: The solo singer who records covers at a desk and wants a small, all-in-one box.

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The Aveek AK-70 5-Channel is aimed at the person who sings, streams and records from one desk. The USB-B port and recording chip make it behave like a sound card, and the echo and delay effects mean the vocal does not sound dry.

The exclusive input rule is the main thing to understand. Because Bluetooth, USB and the 4/5 channel inputs share a path, you cannot play a Bluetooth track and run a keyboard on those channels at once. The Pyle PMXU43BT 4-Channel lets you combine sources more freely.

Pick the Behringer XENYX 802S instead when you need a dedicated analog mixer with an interface for streaming. Pick the Aveek only when size is the priority.

10. Pyle PMX8BU DJ Mixer: Best 3-Channel Mixer with Dual Mic Talkover for Mobile Karaoke Hosts

• Channels: 3, with two balanced 1/4-inch TRS mic inputs
• Mic features: Independent gain and talkover
• Other inputs: Phono preamp on CH1 and CH2, 3.5mm aux on CH3
• Connectivity: Bluetooth, USB-A MP3 playback, CUE headphone monitoring
• Weight: 2 lb, SNR over 78 dB, THD under 1%

Pros:

• Two balanced mic inputs with talkover let a host speak over the music and duet at once.
• The CUE monitor lets you pre-listen to a track before it goes out.
• Phono inputs connect turntables without an external preamp.
• At 2 lb it is the lightest mixer in the list.

Cons:

• Some buyers report a humming noise.
• It offers only three channels, with no phantom power listed.
• A 78 dB signal-to-noise figure is modest next to the Yamaha MG10XU.

Best for: The mobile DJ or event host who needs mic talkover, a crossfader and a very light mixer.

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The Pyle PMX8BU DJ Mixer is the only unit here built around DJ-style workflow. The talkover feature lowers the music when the host speaks, and the CUE monitor lets them prepare the next song, which is exactly what a mobile karaoke host does.

The hum reports and the lack of phantom power keep it near the bottom of the list. For a dependable sound, choose the Yamaha MG10XU, and for condenser microphones choose the Pyle PMXU43BT 4-Channel.

Buyer's Guide: How to Choose the Right Karaoke Mixer

The core trade-off is simplicity against flexibility. A small Bluetooth mixer is easy to set up but limits mics and sources, while a larger analog or digital console handles more singers but takes more space and learning.

Before choosing, check these project details:

• Mic count: Count every singer who might hold a mic at once, plus any host.
• Music source: Decide whether tracks come from a phone, USB stick, laptop or turntable.
• Effects: Check whether reverb and echo are built in or need to come from software.
• Power and speakers: Confirm whether your speakers are powered, since mixers like the Mackie Mix8 have no amplifier.
• Space and weight: Compare the footprint and weight with where the mixer will sit.

Channel Count and Mic Inputs

Channel count matters less than the number of real mic inputs. The Riworal 6-Channel Bluetooth Mixer has four XLR inputs, while the Pyle PMXU63BT 6-Channel shares its six channels more evenly. The Pyle PMXU128BT 12-Channel and the Behringer X AIR XR18 suit larger groups.

Two mic inputs are enough for most home duets, and the Mackie Mix8 and Pyle PMX8BU DJ Mixer both cover that. If a host also talks between songs, the PMX8BU talkover is the most useful feature in the list.

Bluetooth, USB and Computer Connectivity

Phone-based karaoke is best served by Bluetooth, as on the Pyle PMXU43BT 4-Channel and Aveek AK-70 5-Channel. Check whether Bluetooth can run alongside other inputs, because the Aveek cannot combine it with its extra channels.

Laptop-based karaoke needs a USB audio interface. The Yamaha MG10XU and Behringer XENYX 802S both provide one, and the XR18 offers an 18 x 18 interface for multitrack recording.

Effects and Tone Control

Reverb and echo make an untrained voice easier to listen to. The Yamaha MG10XU has SPX effects, the Pyle PMXU128BT 12-Channel and Riworal list 16 DSP effects, and the Aveek offers echo and delay.

EQ matters for fixing feedback and harsh mics. The Pyle PMXU128BT has 7 bands, most others have 3, and the Aveek has only 2.

Speakers, Power and Portability

Check the speakers first. A mixer is not an amplifier, so the Mackie Mix8 and most others on this list need powered speakers. If you are building a whole entertainment room, an affordable surround sound system can double as the karaoke output when it accepts a line-level input.

For portability, the Pyle PMX8BU DJ Mixer at 2 lb and the Pyle PMXU43BT 4-Channel at 2.9 lb are easy to carry. The Pyle PMXU128BT at 10.6 lb is a fixed installation.

Frequently Asked Questions About Mixers for Karaoke

What is the best mixer for karaoke at home?

The Yamaha MG10XU is the best fit for most homes, with built-in effects, a USB interface and strong preamps. For a smaller, lighter setup with Bluetooth, the Pyle PMXU43BT 4-Channel is the better choice. Both need powered speakers or an amplifier.

Do I need Bluetooth on a karaoke mixer?

Bluetooth is convenient if backing tracks come from a phone or tablet, and the Pyle PMXU63BT 6-Channel and Aveek AK-70 5-Channel both offer it. If you play tracks from a laptop, the USB interface on the Behringer XENYX 802S is more reliable. A wired mixer like the Mackie Mix8 works fine with a cable.

Do karaoke mixers have built-in reverb?

Some do. The Yamaha MG10XU has SPX effects, and the Pyle PMXU128BT 12-Channel and Riworal 6-Channel Bluetooth Mixer list 16 DSP effects. The Mackie Mix8 has no effects, so reverb would need to come from software or another device.

Is a mixer an amplifier?

No, most mixers combine and shape signals but do not drive speakers. The Mackie Mix8 is explicitly unpowered, so it needs powered speakers or an amplifier. Check this before buying any model here.

How many mic inputs do I need for karaoke?

Two is enough for most duets, and the Pyle PMX8BU DJ Mixer offers two with talkover. For groups of four, the Riworal 6-Channel Bluetooth Mixer has four XLR inputs. Venues with many singers should look at the Behringer X AIR XR18 with 16 preamps.

Final Verdict: Which Karaoke Mixer Should You Buy?

Best Mixers for Karaoke for most homes and small venues start with Yamaha MG10XU: 10 inputs, SPX effects, a USB interface, 128 dBu equivalent input noise and a metal chassis. Its main weakness is that it has no Bluetooth and weighs 7.7 lb.

For alternatives by use case, the Pyle PMXU43BT 4-Channel is the pick for phone-based Bluetooth singing in a 2.9 lb box, and the Pyle PMXU63BT 6-Channel adds inputs for small groups. The Mackie Mix8 suits wired setups with powered speakers, and the Behringer XENYX 802S suits laptop streaming through its USB interface.

The specialist picks cover the extremes. The Behringer X AIR XR18 and Pyle PMXU128BT 12-Channel serve venues with many mics, the Riworal 6-Channel Bluetooth Mixer and Aveek AK-70 5-Channel serve tight budgets and desk setups, and the Pyle PMX8BU DJ Mixer serves mobile hosts who need talkover. If you are still undecided, count your mics and check where your music comes from, then start with the Yamaha.