Classic Reimagined: Transforming a Timeless Tale into a Graphic Novel

Aimée de Jongh, a Dutch cartoonist, illustrator, and animator, discovered “Lord of the Flies” when she was just 14 years old during an English lesson. Captivated by the story of a group of schoolboys stranded on a remote Pacific island, she was fascinated by their independence and the contrasts within the narrative. “It’s set on a brightly colored tropical island, but the boys are wild and dirty, a bit animalistic,” she recalls. The vivid imagery of William Golding’s novel left a lasting impression on her, making it her favorite book.

Ten years ago, De Jongh considered adapting “Lord of the Flies” into a graphic novel as her first major project. Despite her efforts, she faced initial setbacks as the rights were not available. She even named characters in a different story Ralph and Simon as a tribute. Eventually, she shelved the idea, believing it would never come to fruition.

Two years ago, De Jongh received a surprising email. In 2024, “Lord of the Flies” would turn 70, and Faber, along with the Golding estate, wanted to celebrate with a new graphic adaptation. They invited her to pitch for the project among other authors and artists. Thanks to her decade-long preparation, she won the commission. Now, “Lord of the Flies: The Graphic Novel” is set to be published, joining a storied history of adaptations including films, stage versions, radio dramatizations, and even a ballet.

Naturally, De Jongh is nervous about the reception of her adaptation. The novel, translated into over 30 languages, holds a special place for many readers. She spent two years working on it, often doubting herself. “I worked on it every day for two years, constantly worrying if people would hate it,” she admits. Yet, she found moments of solace in her work, believing in its brilliance and excitement.

Adapting the novel into a graphic format posed unique challenges. The numerous meetings held by the boys, for instance, serve as a reflection of ineffective political discourse. De Jongh realized that these scenes needed to be cut to maintain visual interest. Additionally, the boys’ fevered imaginations and the distinction between reality and fantasy had to be carefully balanced. One of the trickiest scenes was depicting the airman whose decaying body is initially mistaken for a monster by the boys.

The allegorical nature of “Lord of the Flies” made it suitable for a graphic novel format. Characters symbolizing various aspects of society allowed De Jongh to use colors, juxtapositions, and religious iconography effectively. With insights from Golding’s daughter, Judy, De Jongh subtly altered the boys’ appearances as they matured, reflecting their internal transformations.

The enduring debate over Golding’s view on humanity echoes through De Jongh’s work. Critics have argued whether the novel presents an optimistic or pessimistic view of human nature. De Jongh, influenced by manga and its redemptive themes, leans towards optimism. She believes the book suggests that civilization can triumph if collectively fought for.

“Lord of the Flies” was Golding’s first novel, inspired by RM Ballantyne’s “The Coral Island,” inverting its themes to explore the darker aspects of human nature. Despite Golding’s modesty and the many rejections the manuscript faced, the novel eventually became a staple of school curriculums worldwide, resonating with readers through its themes of horror and hope.

Set against the backdrop of Golding’s postwar experiences, “Lord of the Flies” captures the existential battle between civilization and savagery. Renowned admirers like Stephen King highlight its inherent tension and inevitability of death, while echoing the author’s wartime experiences and confronting humanity’s darker sides.

De Jongh’s adaptation of “Lord of the Flies’’ also incorporates an environmental perspective, showcasing red skies and scorched earth, hinting at a paradise lost. Judy Golding, equally appreciative of this approach, believes the novel’s environmental message will become more significant in the future. It’s a poignant reminder that we cannot exploit the Earth indefinitely.

“Lord of the Flies” continues to captivate readers, whether seen as a moral ambiguity or a straightforward tale of survival. It’s a timeless story that reflects adult anxieties through the lens of childhood, blending adventure literature with profound existential questions.

As the novel marks its 70th anniversary, its legacy endures. De Jongh’s graphic adaptation breathes new life into Golding’s work, ensuring its relevance for future generations. Her meticulous craft and dedication shine through, reminding us that while the heart of man may be dark, it is also lit with the flame of possibility and the hope for a better future.

“Lord of the Flies: The Graphic Novel” by William Golding, adapted and illustrated by Aimée de Jongh, will be published on September 12 by Faber.

Source: The Guardian