Contemplation Album Review: Young Opera Star Lives Up to the Buzz

Opera fans will likely recognize the surnames of Huw Montague Rendall, familiar through his mezzo-soprano mother Diana and tenor father David. However, the 30-year-old baritone is carving out his own distinct path on the international opera stage, and his debut solo recording more than justifies the growing attention he’s receiving. Starting with Hamlet’s soliloquy from Ambroise Thomas’s opera, Rendall showcases a velvet-toned, nuanced voice, characterized by beautifully floated high notes, which sets the stage for a varied program centered around themes of self-discovery.

The album features an eclectic mix, including songs by Mahler and Duparc, and opera excerpts by Gounod and Messager. Rendall is especially captivating as Britten’s Billy Budd, bringing a heartfelt depth to the character. He also delivers a polished performance as Billy Bigelow in Carousel. In Fritz’s song from Korngold’s Die tote Stadt, Rendall manages to strike a fine balance of nostalgia without descending into overly sentimental territory. One can almost sense the orchestral accompaniment marveling at his breath control and vocal prowess.

Rendall also performs the Count’s aria from The Marriage of Figaro, which serves as a preview for his upcoming performances at the Royal Opera. He receives energizing support from conductor Ben Glassberg and the orchestra of the opera company in Rouen, where he sang his first Don Giovanni earlier this year. The Serenade from Don Giovanni is another highlight of the recording, with each syllable delivered with as much precision as the tender mandolin accompaniment.

Rendall’s debut album titled “Contemplation” is set for release by Erato on 6 September.