Gripping TV Drama Explores the 1972 Munich Olympics Massacre

A story that might seem dated — and one that Steven Spielberg delved into in “Munich” — could pose a challenge for some viewers. Nevertheless, Swiss director Tim Fehlbaum’s “September 5” offers a fresh and gripping portrayal that stands strong on its own.

In just 94 minutes, Fehlbaum zeroes in on the ABC News control room as mayhem unfolds during the 1972 Summer Olympics, orchestrated by eight Palestinian militants who held the Israeli team hostage. Despite foreknowledge of the tragic outcome, the film maintains its tension as it explores the crisis and its impact on TV news.

The film features a stellar performance by John Magaro as Geoff Mason, an upstart producer who unexpectedly finds himself directing the network’s coverage. Peter Sarsgaard plays Roone Arledge, mobilizing his team amidst the chaos as the hostage crisis begins. Occurring during a crucial period for Germany post-World War II, the event cast a shadow over the Munich Olympics.

Leonie Benesch plays Marianne, the only German-speaking crew member, who is essential yet often marginalized by her male colleagues. Fehlbaum and writer Moritz Binder touch upon the regressive gender dynamics of the time, but Marianne’s resilience shines through.

“September 5” excels technically, with cinematographer Markus Förderer blending celluloid and archival footage seamlessly. The only occasional drawback is the handheld camera work that sometimes feels too stagey.

The film raises ethical questions regarding ABC News’ unintended role in the tragedy, as the terrorists were monitoring the news coverage. It challenges viewers to consider the responsibilities of media coverage during crises.

As a focused, single-room thriller, “September 5” powerfully depicts the behind-the-scenes drama of live news coverage. The use of actual news clips, including the haunting image of a masked terrorist on a balcony, adds to its authenticity.

Benjamin Walker portrays news anchor Peter Jennings, contributing to the documentary feel. His character, along with audio snippets from actual broadcasts, makes the historical event even more chilling.

While the film may leave some viewers wanting broader statements on media influence, it remains a compelling depiction of a critical moment in history. Fehlbaum’s choice to keep the narrative within the confines of the control room bolsters its intensity and realism.

Ultimately, “September 5” underscores the responsibility of media in reporting crises without sensationalizing, making it a potent reminder of real-world events that are as impactful today as they were then.

“September 5” had its world premiere at the 2024 Venice Film Festival and is currently seeking U.S. distribution.

Source: Variety