The Weeknd’s Top Songs – Ranked!

Abel Tesfaye’s debut album, “Kiss Land,” didn’t make a big splash when it was released, partly due to its complex and ambitious nature. However, the album has its moments, with the seven-minute title track showcasing a dark and captivating synth backing.

Moving forward to 2015, “Tell Your Friends,” co-written by Kanye West, brings a 70s soul vibe reminiscent of “The College Dropout.” The song reflects on fame’s double-edged sword, teetering between self-praise and existential musing on success’s worth.

In 2021, “Take My Breath” became the lead single from “Dawn FM.” The euphoria of disco-house, coupled with a synth riff that nods to Daft Punk, makes it a standout. However, it’s the seamless transition from the preceding track, “How Do I Make You Love Me?”, that elevates the experience.

“Starboy” (2016) came together effortlessly in just 30 minutes, thanks to a beat on Guy-Manuel de Homem-Christo’s phone. The collaboration with Daft Punk turned out to be a massive success, selling 11 million copies in the U.S. alone.

Released in 2020, “Save Your Tears” could have been the top hit on any other album, but sharing space with “Blinding Lights” put it in the shadow. The song revamps 80s synthpop and delivers a compelling melody with underlying melancholy.

“Call Out My Name” (2018) achieved triple-platinum status and even faced a plagiarism lawsuit from the duo Epikker, which was later settled out of court. Regardless of the legal issues, the track remains a potent and emotive ballad.

“Reminder” (2016) from “Starboy” brought back the classic R&B feel in a successful attempt to counter criticisms of Tesfaye going too pop. Featuring high-profile cameos in the video, the song asserts his dominance outside the Teen Choice awards sphere.

“House of Balloons / Glass Table Girls” (2011) is rooted in Tesfaye’s fascination with the 80s, sampling Siouxsie and the Banshees’ “Happy House.” The lyrics dive into the illusion of happiness, depicting a party spiraling out of control.

In 2020, “Faith” emerged with falsetto vocals and a meticulously crafted production by Metro Boomin. Reflecting a farewell to a hedonistic phase, the song ends on a somber note, showcasing a thematic journey in a Vegas backdrop.

“The Party and the After Party” (2011) encapsulates the sleazy persona introduced in Tesfaye’s early mixtapes. Combining manipulative lyrics with an alluringly spacey production, this two-part track leaves a lasting impression.

Tesfaye’s contribution to the “Fifty Shades of Grey” soundtrack, “Earned It” (2014), provided a departure from his usual sound with dramatic 60s ballad strings and heartfelt vocals, proving his versatility.

“High for This” (2011) introduced the world to The Weeknd with a powerful debut mixtape track. The dark, electronic music and disturbing lyrics make an unforgettable first impression.

“Less Than Zero” (2022), with its title inspired by a Bret Easton Ellis novel, showcases brilliant songwriting. This “Dawn FM” track combines catchy melodies and rich orchestrations with a downbeat mood hidden beneath an upbeat rhythm.

“The Birds, Pt. 1” (2011) stands out on Tesfaye’s second mixtape. Mixing military drumbeats with moody synths and feedback-drenched guitar, the track offers an authentic and unsettling experience, wrapping self-loathing lyrics in an acoustic coda.

“Can’t Feel My Face” (2015) turned into a global hit under Max Martin’s production. Full of exuberant hooks, this track metaphorically celebrates cocaine, propelling The Weeknd from an acclaimed R&B artist to mainstream sensation.

“I Feel It Coming” (2016), another collaboration with Daft Punk, merges the aura of Michael Jackson’s “Off the Wall” with a slower take on Daft Punk’s disco influences. The straightforwardly romantic track secured its place as a deserving hit.

“After Hours” (2020) starts with familiar elements: echoing guitar, falsetto vocals, and electronic undertones. Building pace over six minutes, it transitions into an electro-house track while maintaining a shadowy atmosphere.

“Blinding Lights” (2019) didn’t just become a hit; it became a phenomenon. Its 80s-inspired sound spread across the music industry, influencing many artists. Despite being ubiquitous, it retains a fresh, timeless quality.

“Wicked Games” (2011), The Weeknd’s debut single, encapsulates the essence of his initial mixtapes: murky music, impassioned vocals, and morally conflicting lyrics. This track masterfully converts unlikely material into appealing pop music.

Finally, “The Hills” (2015) revived the sound of Tesfaye’s mixtape days with a more refined approach. This song captures his signature unsettling power in a succinct and impactful four-minute journey, illustrating why The Weeknd has such a unique appeal.

Source: The Guardian, Rolling Stone, Billboard